Voyages to the House of Diversion 
Seventeenth-Century Water Gardens and the Birth of Modern Science


August 2015 - Working With The National Trust

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July's Big Dig at Hanwell came crashing to an abrupt halt as we had to shuttle over to France to perform at a little village festival in the Mayenne. Once back Peter gave me a hand with taking down the various gazebos and marquee and generally tidying the debris from two weeks of activity. I think Rowena and Christopher were quite sad to see it all go. Apart from that Hanwell was quietly put on the back burner as, at fairly short notice, an offer of work had come through from the National Trust for not one but two jobs. I was able to pop down to Enstone to catch up with Nick and begin back-filling our still mysterious cistern before kicking off at Packwood.

Packwood House is a fine National Trust property with a house originally dating from the mid-sixteenth century but refurbished and extended in the early years of the twentieth century. the gardens were generally regarded as having been laid out in the seventeenth century by members if the Fetherston family with one campaign in the 1650s and another later in the century. This has obvious parallels with our two sites so I was happy to be able to include an additional element of survey at no extra cost! The project actually involved the repair of a brick wall alongside the dam to the Great Pool, to quote my Written Scheme of Investigation (WSI):

'The development comprises, in outline, the erection of a coffer dam, the removal of some silting, the dismantling of the existing brick wall, digging out part of the dam that backs the wall, the insertion of new foundations and the reinstatement of  the brick work using original bricks where possible.'




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Packwood House from the west with 17th. century sundial.                                                             The west end of the dam looking north east - ripe for rebuilding




August
Plunge pool thought to date from the 1680s, view looking west.




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Details: the lion's head mask providing water in the niche above the pool and a large diameter copper alloy pipe for draining it.



The plunge bath at Packwood lies to the north of the house and is of particular interest as one is forced into making a comparison with Sir Anthony's Bath on the island at Hanwell. There are superficial similarities, both are sunken stone lined rectangular tanks with something looking like steps dropping down to the water from one end but there the resemblance ends. At Hanwell we have no traces of methods for delivering or removing water, unless it was allowed to fluctuate with the natural level of the lake, nor does it make sense from the point of view of size for an effective cold water bathing place. At best it could only have been a very pale echo of grander facilities.




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The framework for the dam is erected whilst Peter makes a metal detector search of the foreshore.                           We open a small trench behind the wall to examine the dam's make up.




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Now we really get down to business as the silt plus water lilies is removed and we take our trench down to around half a metre




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Not a very good photo but time was spent exploring the surrounding landscape. This low mound marks the site of a cistern marked on the 1722 estate map.




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With 25 metres of wall to survey it was agreed to do this photographically. the pictures will be stitched together and then stretched using QGIS to conform to a measured grid.




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As the material of the dam comes out from behind the wall  the recording of assorted buttresses and other features is completed and here is a partial section through the dam behind the wall.




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The situation at the end of day three, view looking east along the dam towards the house.



As is often the case careful plans on the basis of great expectations produced rather disappointing results. Careful examination of the silts both visually and with a metal detector resulted in the discovery of three iron fence posts and two empty bottles: one of Johnny Walker Whiskey and the other of Canadian Dry Ginger. I have heard stories... On top of the dam we did find evidence for possible earlier pathways and the sequence of construction was reasonably clear although no dating material emerged. The biggest surprise was the fact that the dam wall had clearly been rebuilt on more than one occasion, in one instance partially on a different alignment so the upper courses were set back by a brick's width. Having been called away to Farnborough I gave the contractors a quick run down on post-medieval pottery and gave them a finds tray to hang onto just in case. We were back the following week to discover that the plan had been to complete the first section the reconstruction before moving on so that enabled us to record an additional intermediate section but we'll have to go back for more. We were also able to complete a more general survey of the dam and its associated mechanisms.




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Of course the park at Farnborough was already well known to us ( see Farnborough Park Project ). However, the spillway / weir / cascade that connected Sourland Pool with the Oval Pool had escaped detailed examination at the time as it had been largely obscured by fallen trees. These were cleared last year and when I turned up at the invitation of the Trust it was time for a more careful look. The problem was that previous visitors to the site had had similar difficulties and I believe had in effect examined the site from the bridge from which angle one sees little more than a concrete channel. My first task was to complete the clearance process, initially on the sloping slabs of the 'water slide' but later at the foot of the cascade where we removed nearly a metre of debris. It became clear that this was a much more sophisticated structure than had hitherto been thought and that it has substantially complete despite being quite badly damaged by a decade or more of erosion by leaking water.




August
The ramp is cleared and proves to be substantially intact. view looking north east towards Sourland Pool. 





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This conveys some idea of the amount of debris shifted, before and after, the after revealing some massive stone work designed to curtail erosion at the foot of the cascade.





August
This schematic longitudinal section was put together to illustrate for the WSI the complexity of the monument.




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After further thought and comparing it with the way in which the cascade on the other side of the road had been engineered it struck me that water was being played with here
 in quite a varied and subtle way with the possibility of achieving four different effects from one moving body of water




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Peter lends a hand with drawing the elevation.




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The dismantling begins. First of all the the side slabs of concrete are lifted up and the numbered slabs removed and set aside. Included in the make up below the slabs was this length of reused coping stone




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More of the make up is removed to give a firm base for the rebuilding.





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The drawings we made were forwarded to the engineer  in charge of specifying the terms of the rebuild so as to form the basis for the reconstruction.






After all a hectic couple of weeks we took the opportunity of the bank holiday weekend to go down to London to catch up on a few garden history matters. I wanted to take a look at some of the fountains in the Renaissance Court at the V and A and also pay a short visit to the site of Cope Castle and gardens, built by Sir Anthony Cope's brother Walter and now known as Holland Park. In addition there was a exhibition entitled Painting Paradise - the Art of the Garden at the Queen's Gallery at Buckingham Palace. During the same weekend we also manged to catch up with film A Little Chaos about the design of a water feature at Versailles, of which more later.



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Some of the intriguing examples of spouts etc. in the V and A, I need to go back with permission to take some decent photographs.




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Holland Park: an attractive marble water buffet, presumably reset in a corner of the gardens and the much restored 17th. century belvedere, now a Marco Pierre White Restaurant



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the foundations of the west wing of the building looking north west and the restored east wing looking north.




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Nothing to do with gardens but our visit to Holland Park was accompanied by the thumping background beat of the Notting Hill Carnival which we strolled over to take a look at...
the way ahead seems rather congested. On the subject of 'nothing to do with gardens' here's a film review:




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We don't normally do film reviews but when a movie comes along which attempts an epic account of garden design and construction it's hard not to take notice.This particular offering features the utterly historic Louis XIV (Alan Rickman) and André Le Nôtre
( Matthias Schoenaerts ) and the entirely fictional Madame Sabine de Barra (Kate Winslet). I should first perhaps go on record in saying that I thought that this was a poor film, clearly over ambitious on a limited budget, and with performances that certainly failed to engage me: Schoenaerts belongs to that school of acting which lets the stubble do the speaking, Rickman played Alan Rickman wearing an Alan Rickman mask and Winslet simply looked constipated. There were some pluses to the film: an exciting scene where someone falls into a sluice and is rescued by someone else, that should be a lesson to us all, and it was quite thought provoking to consider the muddy chaos that was garden making against the refinement of the finished product, but on the whole I found it deeply unconvincing as a portrait of the French court and its relationship with the massive challenges that faced those charged with creating the great gardens of Versailles.

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Vue de la Machine de Marly (1723) by Pierre-Denis Martin
There has also been considerable criticism on a technical level from some of those with an interest in garden design. Now I'm not one of those who expect works of fiction to teach me history, I don't go to Shakespeare's Richard III to find out about Richard III - no for that we go to a car park in Leicester - but there were a number of errors which grated and I'll just point out one. The key concern in engineering the works at Versailles was the supply of water and to that end a massive series of pumps connected to an aqueduct were constructed on the Seine at Marly. there is a tantalizing glimpse of these in the trailer but here you can see the hand of the art director at work. The matte painting used is clearly based on the famous painting from the period (see above) and the scenic artist obviously been given the image to copy but someone has said, 'no, it's not dramatic enough, let's put it all at the top of the hill... water? Well nobody will know what they're looking at so it doesn't really matter... does it?'

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View of the Marly Machine  (2015) by ?


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