More of a photo
collection than an attempt at rational thought this selection of images
from Italian Renaissance gardens visited in 2014 and 2016 is gathered
together to provide inspiration rather than precise parallels to our
discoveries at Hanwell. If anything it is an exercise in
ethno-archaeology looking at modern uses of terra-cotta as currently
expressed in some famous locations. It is impossible to say how many of
these pieces are authentic period survivals given the generally fragile
nature of the material, as evidenced by some of the photos, but as Jim
Keeling points out in his well researched book The Terracotta
Gardener', many of the extant Tuscan country potters still use moulds
of considerable age so even the newer looking examples may not be too
far removed from their predecessors.
The Boboli Gardens, Florence pots on the approach to and lining the elliptical Isolotto.
The garden of the villa at Castelli on the outskirts of Florence shows,
like the Boboli, another extravagant use of pots, most gardens
are more restrained
This eccentric figure perched on a wall at the Villa Buonvisi Oliva in
the hills above Lucca shows the use and decay of terra-cotta for
sculpture. The pots lining the reservoir supplying the garden's
fountains and mounted on pedestals are more conventional although the
figure carved on its base looks positively prehistoric.
Limited use of pots around the sunken garden at Gamberaia which
overlooks the Arno Valley and Florence, not a lot of pot planting going
on, however, round the back an interesting collection of unused pots with the wooden crates used to lift them with.
Mid-way between Lucca and Florence the Villa Garzoni rising above the
village of Collodi is more Baroque that Renaissance but has some
interesting uses of terracotta including these rather splendid seats
... and steps decorated with terra-cotta balls and monkeys.
Nothing unconventional here at the Villa Grabau: a beautiful pair of pots flank a set of steps, an urn provides a home for some geraniums and a reminder that pots don't have to be round.
This terra-cotta figure emerges from the wings at the famous green theatre at the Villa Marlia ...
.. which also demonstrates limited use of pots at the nymphaeum.
Meanwhile at the Villa Torrigiani the sad spectacle of a shattered terra-cotta figure
plus a few pots on the stairway and not forgetting an example of the
kind of terra-cotta pipe that is almost ubiquitous in Italian gardens.
... and to finish on a high note the nineteenth-century gardens of the Palazzo Pfanner in the heart of Lucca, pots everywhere.